Latest Reviews
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Not only do the actors work well together but they are supported by a great team of creatives who are instrumental in making the show the success it is.
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The most produced play in the world (outside of Shakespeare), Henrik Ibsen’s A Doll’s House has been given new life for the 2014 Brisbane Festival in a new version by Lally Katz, directed by Steven Mitchell Wright.
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Opening with the show signature tune, Beer Drinking Woman (how does she maintain that fabulous figure quaffing as she does?), Hughes vamped, camped and beer-gargled her way through a fabulous first set.
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Quibbles over certain aspects aside, this is a very fine show predicated on a superb double-act, ably supported by a large cast and a lavish production design.
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The production is wisely divided into three discrete acts – each work given time to breathe and be digested by audiences. The importance of this device becomes more pronounced over the course of the production.
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This is a hugely demanding script and the ensemble worked tirelessly to maintain the cracking pace. I felt all the actors were excellent.
