
Gonzalez consistently produces surprising and profoundly original work, and his live performance is equally enigmatic.

The heart of the work derives from a series of revealing monologues peppered throughout the piece, that have been drawn from interviews with men and women from Broome and environs.

A confluence of errors – certainly not a comedy – made my viewing of Illuminate Educate's production of Life Without Me by Daniel Keene at the Reginald Theatre in the Seymour Centre, truncated, to say the least.

The Kransky Sisters have been prowling the Fringe circuits, picking up awards for many years, yet this is the first time I have ever seen them. They didn’t disappoint.

The group of 4 performers is from South Africa and they kept the back to back routines coming at a cracking pace in variety show style. There wasn’t a theme, journey or story to follow, just lots of snippets of talent and skill thrown into a steam punk melting pot.

Arcadia sees the much anticipated return of the work of Tom Stoppard, grandmaster of the play of ideas, to the Sydney Theatre Company. This time he tackles literary History and Chaos Theory.

Punters at Faulty Towers: The Dining Experience were lapping up the comic one liners from the characters made famous by John Cleese and the TV show, “Fawlty Towers”.