Latest Reviews
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It's a slick, tight performance with jarring, jagged edges that satisfyingly spring out at you from the pitch black.
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The packed audience were ready to swing and gave a warm welcome to the Lincoln Center Orchestra and especially so to the legendary Wynton Marsalis.
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Cunningham is an uncommon performer who uses her physical disability to create a completely different understanding of how to use the body in dance performance.
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Although so much of the original play has been condensed, in this production, there is infinitely more space.
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George’s nakedness frees his body; he is releasing himself from expectations, almost eschewing performance in this intensely private work which is yet playing with notions of the public gaze and erotica.
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All for audience participation as long as it’s not you? Then you’ll love Onstage Dating, Bron Batten’s contribution to the Festival of Live Art.
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This is Cherkaoui’s meditation on the divisiveness and truth of religious texts, and though he does indeed present a thesis, much of his elaboration floated in a murky liturgical space resembling a day in the life of a medieval monk.
