Latest Reviews
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Cunningham is an uncommon performer who uses her physical disability to create a completely different understanding of how to use the body in dance performance.
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Although so much of the original play has been condensed, in this production, there is infinitely more space.
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George’s nakedness frees his body; he is releasing himself from expectations, almost eschewing performance in this intensely private work which is yet playing with notions of the public gaze and erotica.
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All for audience participation as long as it’s not you? Then you’ll love Onstage Dating, Bron Batten’s contribution to the Festival of Live Art.
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This is Cherkaoui’s meditation on the divisiveness and truth of religious texts, and though he does indeed present a thesis, much of his elaboration floated in a murky liturgical space resembling a day in the life of a medieval monk.
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Sydney Dance Company’s latest double bill is hugely entertaining, combining the wry humour of Alexander Ekman’s very accessible Cacti with an exploration of darkness in Rafael Bonachela's new work, Lux Tenebris.
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High expectations are met by The Secret River, a Sydney Theatre Company production bought to Brisbane’s Playhouse stage by Queensland Theatre Company, for a limited season that has already sold out.
