Latest Reviews
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Triple the comedy in one whirlwind hour – time flies when Aussie comic team Aunty Donna blast about the stage. Laughs? Yes! Cringes? Yes! Energy? Yes!
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Sitting in a circle, audience members at Savage Amusement & Melanie Jame Wolf’s show, Mira Fuchs, are not able to hide their expressions or body language from anyone else. This is important as the work’s essence insists on the shared experience.
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Angels in America has come to Perth with all its provocative, winged bombast. Black Swan State Theatre Company’s departing Artistic Director Kate Cherry helms this theatrical juggernaut with mixed results.
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Throw together humorous sea creatures, evil stepmothers and sparkling princesses twirling on ice skates and singing beloved Disney songs and you have Disney on Ice – a foolproof formula that has ensured its success around the world.
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Blood on the Dance Floor mashes dance, story-telling and video, using the metaphor of blood to reference both HIV infected blood and indigenous blood.
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It is always difficult viewing a production which arrives with headline banners telling us how good it is. Expectations can be high, and if not achieved, can leave an audience disengaged. Blonde Poison could have achieved much more, with less fanfare.
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Skew the snobs and prick the pretentious is Moliere's mission in Les Femmes Savantes and the great playwright could not have found a better “massager of the message” than Justin Fleming's gorgeous adaptation, The Literati.
