Latest Reviews
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The cream of Adelaide’s 12 – 24 year old musicians celebrated the 150th anniversary of the opening of the Adelaide Town Hall, and entranced a capacity audience with their notable ability, energy and sheer enthusiasm in a splendid concert befitting the occasion.
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Caleb Lewis’s The Honey Bees is a well-structured and ambitious play, revolving around the story of a family apiary business in Western Australia failing due to bee colony collapse disorder, the causes of which remain mysterious.
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With passion and conviction, Deborah Cheetham spoke about “what an honour it was to sing and share these songs.” And for us, the audience, it was a privilege to witness such an uplifting, intimate performance of stories of connection, culture, family and resilience.
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Maybe it’s the blend of old and new talent in the cast, or the influence of its guest director Davey but, returning to its roots a little, Circus Oz seems to have found new confidence and direction with this new show, and its creative juices appear to be in full flow.
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Well-paced clever comedy questioning the nature of love and its place in our modern lives and society.
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Sam O'Sullivan's play, The Block Universe, is not only inspired by Vonnegut but is infused with Kurt's detached observer/involved participant paradigm and the same naïve vision and playfulness of the author.
