
Over recent years Australian audiences have been treated to an annual parade of Broadway Divas in concert, from the amazing Idina Menzel to the sublime Audra McDonald. The latest in the line is the delectable Megan Hilty.

When the extraordinary pianist Lang Lang wiped his sweaty face during Prokofiev’s Third Piano Concerto, I wondered if he should have mopped the piano’s brow too.

Set in an absurd, hallucinatory world contained within a space surrounded by dangling chains, three men emerge from the shadows covered in white paint, each wearing different colored braces over white button-downs and black trousers.

Playwright Sarah Kane has left behind a small and notoriously difficult repertoire of works, but WAYTCo haven’t let that stop them from producing her challenging, fragmented Crave.

Jungr overflows with intensity, she’s a fireball, a force to be reckoned with and with good reason, since she’s unafraid to sing with such heart-jangling and white-hot emotion she appears at times to be hanging by a thread on the brink of madness.

This production, infused with dance and song cycle, is an innovative and energetic entre into the study of this powerful, enduring and evolving text.

Triple the comedy in one whirlwind hour – time flies when Aussie comic team Aunty Donna blast about the stage. Laughs? Yes! Cringes? Yes! Energy? Yes!