
Come on a journey, suggests a gawky, effusive American in a silver spandex bodysuit with a flashing strap-on.

The Crown Theatre was alive… with the sound of music. And the music was glorious, both in its familiarity and its delivery, with outstanding performances by the entire cast.

Let me begin by first clarifying that this production is not a single play, but rather a set of two new plays, By The Door To The Bonehouse by Rupert Williamson and The Many Funerals of Beckett Fitzgerald by Harry Goodlet.

If Ovid had any sense of humour, which he surely did, he would have thoroughly enjoyed this adaptation of his magnum opus.

This year marks the 400th anniversary of Shakespeare’s death, and this ballet is testament to the enduring relevance of the world’s most famous playwright.

You’ve heard the voices and you know the schtick, but seeing the comedians work their magic offers something new and more nuanced.