Latest Reviews
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Let me begin by first clarifying that this production is not a single play, but rather a set of two new plays, By The Door To The Bonehouse by Rupert Williamson and The Many Funerals of Beckett Fitzgerald by Harry Goodlet.
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If Ovid had any sense of humour, which he surely did, he would have thoroughly enjoyed this adaptation of his magnum opus.
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This year marks the 400th anniversary of Shakespeare’s death, and this ballet is testament to the enduring relevance of the world’s most famous playwright.
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You’ve heard the voices and you know the schtick, but seeing the comedians work their magic offers something new and more nuanced.
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Opera Australia's 60th anniversary revival of My Fair Lady under the direction of Dame Julie Andrews is a seamless audial, visual and comic delight which far exceeded my expectations.
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Like the mythical city it takes its title from, Paul Gilchrist's Atlantis, is about sinking ideals and submerged truths, the manipulation of myth, the power and danger of stories.
