Latest Reviews
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Innovative in concept and slick in execution, Mr Naismith’s Secret is an experience unlike any other.
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From the acclaimed and recently departed Irish playwright Brian Friel comes this engrossing play starring three of our stage’s finest actors.
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Stephen Carleton’s play carries a colourful name, The Turquoise Elephant, but it is the darkest of comedies, coal black, a fatalistic farce about embracing and claiming catastrophic climate change as a grotesque status symbol.
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Beethoven, Beer, Bratwurst … and Bjork! continues to be a hit, and for good reason. Part of its genius is the juxtaposition between “high” and “low” culture it enacts when it takes the granddaddy of classical music and places him in a shed in Freo.
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While the story is genuinely enjoyable with it’s heart-warming, what’s-not-to-love message of finding your niche, and displaying tolerance for those different to yourself, this production is rather uneven in its execution.
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Performed by an ensemble of Notre Dame University’s theatre students, and Directed by Paige Newmark, Perspectives is an original production devised collectively by the ensemble.
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Like much of Fassbinder’s writing, The Bitter Tears of Petra von Kant is anchored in artifice, stylization and realism, a theatrical cocktail that needs to be carefully concocted for the mix to work.
