Played for progressively darker comic effect until the comedy is so black that it’s no longer funny, the guards are nasty pieces of work, lewd, vindictive and increasingly violent.
Amos delivers, joke after joke, centred on the themes of religion, hypocrisy and life’s pressures, all while he is essentially relaying his experiences of growing up in London
Houghton runs through a gamut of characters, emotions and increasingly absurd movie storylines as we watch his alter-ego Walter Weinermann create the film that he is about to pitch.
After a series of shows that are repurposing IP to capitalise on millennial nostalgia without much heart, SIX the Musical has returned to show everyone how compelling original content can be.