Harp on the Willow is ultimately a search-for-god play. It sublimely and comically, unpacks what people do when faced with the schism between ancient tradition and a new generation's hopes.
Improvisational dance performance is often more challenging for audiences than performers. Viewers need a great deal of patience, as they wait for the resonating moments when performers, sound, and visuals unite in mesmerizing synergies.
GoD BE IN MY MouTH’s Grace is essentially an extended domestic between three members of a long-estranged family conducted on a roof-top while three pigeon-headed people gambol about in the background.
Back to Back Theatre’s smash hit production returns in a whirlwind Australian tour, the sell-out of the 2005 Melbourne International Arts Festival and more recently the 2007 Sydney Festival.
All My Sons is a good example of traditional, well-made drama, based on ideas of responsibility and integrity, and a plot both deeply considered and soundly constructed.
This is a highly comic and eccentric re-telling of the Nativity story produced by an amateur theatre company of three! Be ready for some segues back and forth in time, visual and verbal comedy, a touch of opera and some impressive sound effects including kookaburras and possums!
It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show.
However earnest and inarguably lovely it is to look at, the pedestrian sexual indulgence and relationship traumas of New York 'A' gays penned 9 years ago doesn't feel particularly urgent.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.