Shrimp is more than merely a play. It is an experience: both an aural and visual journey, a travelogue, an autobiography of a life so far, an insight into the mind of a trans-racial adoptee and a tale told vividly with every part of his body
Alice, a former actor-turned-care worker, and Tom, who's still acting despite himself, are in a convenient but complacent relationship, not so much in love as in limbo.
This is a tragic/comic inspection of viciousness, the process of writing and the getting of inspiration, all set in the somehow twin worlds of a totalitarian dictatorship and of fairytales.
Checklist for an Armed Robber remains an ambitious and compelling piece. Its shortcomings, while not negligible, are considerably fewer than its strengths.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.