This is a beautifully written piece, the language segueing marvellously from ferocity to lyricism with the occasional detour through middle-class twaddle thrown in for good measure.
Theirs is a humour that relies on the shock of non sequiturs, of mad segues off into the unknown, a humour that encourages their audience to let their imaginations run wild.
This is a programme of neoclassical dance, a ‘back to basics’ production, without any glamorous tutus, headpieces or jewels to crowd the dancers’ athleticism.
An excellent example of thoughtful and engaging community theatre, Le Corbusier’s Dream? is accurately described as a ‘play about Carlton in the 60s and Carlton today’.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.