Spring
Awakening is a dark and powerful work that features violence, rape,
abortion, masturbation, homoerotic love and finally death, but not in a
cheap or tawdry fashion.
Wild East is a play that doesn't quite know what it wants to be:
a nuanced comedy about corporate culture, a chamber drama about
personal betrayal, or a riotous, slapdash cartoon.
Othello has never been a particular favourite of mine; it grates on the feminist in me – why does Othello believe everyone but his wife? Why is Desdemona so subservient?
Shining City is a cross between a drawing room drama and a play by Pinter, complete
with pregnant pauses. Replace the drawing room with a therapist’s consulting
room, add a ghost and a touch of postmodernism, and you get the picture.
Shrimp is more than merely a play. It is an experience: both an
aural and visual journey, a travelogue, an autobiography of a life so
far, an insight into the mind of a trans-racial adoptee and a tale told
vividly with every part of his body
Alice, a former actor-turned-care worker, and Tom, who's still acting despite himself, are in a
convenient but complacent relationship, not so much in love as in limbo.