Grace, a theatre piece devised by the English philosopher AC Grayling and theatre director Mick Gordon, is one of the MTC’s most interesting productions for some time.
From feel good feature film to hit stage show Billy Elliot The Musical captures the perfect blend of fantasy, poetry, politics, song and dance to inspire us all to follow passion.
The energy of the performance of this uncut version of Messiah was sustained to the end with perfect balance, seamless continuity and great dynamic range.
The Needle and the Damage Done is a personal invitation to hear Fiona Scott-Norman’s view of the top ten of the worst records ever released in the history of the world.
Composed in a mere 24 days between 22 August and 14 September 1741, Messiah, A Sacred Oratorio surely qualifies as one of the 1001 classical compositions one must hear in their lifetime.
Shane always said his life was a soap opera – fame, fortune, failure, fidelity and forever battling the ferocious Australian media – perfect material for musical theatre.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.