
The Australian outback has long upheld its reputation for being a vast, mysterious and in the right circumstances, terrifying place.

The work, as a whole, is reserved but not cold and is satisfying for its attention to detail

Hutchinson has written an uproarious play, in which his actors can flex their skills on a wide range of levels.

The frustrating thing about Night Breakfast, written by Merrilee Moss, is that it’s a fantastic idea for a stage play that is ultimately flawed in many of the key aspects of production.
