
This classical masterpiece presents several layers of meaning embedded in the imagery of the dramaturgy and musical dramaturgy.

Andrea McCannon and Matthew Kenny convincingly embody Margrethe and Niels Bohr, portraying an intimate dynamic around which the tension of the play orbits.

Utilising diverse dance companies the performers presented a work typical to their genre and then re-contextualized their practice within the disco era.

The work itself is staggering. With all its visual and sound effects, body contortions and extensions, and the timing of each of these, one can only wonder how it all works.

The Australian outback has long upheld its reputation for being a vast, mysterious and in the right circumstances, terrifying place.

The work, as a whole, is reserved but not cold and is satisfying for its attention to detail