Melbourne Reviews
- Details
- Penelope Broadbent
Tracy Letts’s August: Osage County has it all: adultery, cancer, suicide, incest, drugs, plate throwing and mystery.
- Details
- Carol Middleton
- Details
- Dr Daniela Kaleva
Shhhh! A Love Affair of Quietly Catastrophic Proportions is a highly entertaining and provocative satire on conformity.
- Details
- Vito Mattarelli
This intriguing and well-realised piece of theatre is an excellent example of how captivating a simple idea can be
- Details
- Rachel Orzech
Genevieve Lacey has been performing and recording with this orchestra for the last ten years and it is clearly a mutually enthusiastic and appreciative musical partnership.
- Details
- Melita Pereira
Haul Away tells the story of terminally ill Kate whose imminent death from cancer pervades the play, forcing her family relationships and almost-lost life to fall into sharp reflection and revelation.
- Details
- Vito Mattarelli
In a quietly understated production, director Stuart Maunder and his creative team have given audiences a simple, yet romantic staging of one of Sondheim's most popular works.
Most read Melbourne reviews
A Beautiful Noise – The Neil Diamond Musical
A Beautiful Noise is a jukebox musical that imagines present-day Diamond looking back on his history.
GRIMM | Shake & Stir Theatre Co
Spells, rules and the fourth wall are consistently broken in this chaotic retelling of some of the Grimm Brother’s most famous fairy tales.
The Memory Mirror | G Luck Productions
This work regularly feels like a short story that has not been adequately shaped into a play
An Evening Without Kate Bush
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.
Hotsy-Totsy | 2026 Melbourne Fringe Festival
The show is aiming for silliness, and its successful realisation here is certainly a nice change of pace from the worries of the modern world.
The show is aiming for silliness, and its successful realisation here is certainly a nice change of pace from the worries of the modern world.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.