Melbourne Reviews
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- Paul Kooperman
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- Simonne Michelle-Wells
Viewing Strangeland is all about surrendering to the experience and absorbing the carefully crafted atmosphere, rather than searching for narrative or connection to character.
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- Bron Batten
Spectacular is two death scenes placed side by side, both literal and metaphorical representations and both drawn out and meandering, filled with heavy breathing and a very dry sense of humour.
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- Penelope Broadbent
Knives in Hens is full of metaphors and ambiguity, a work that for its audience, resonates in such a way that experience is a must and articulation near impossible.
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- Paul Kooperman
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- Rachel Orzech
Violinist Natsuko Yoshimoto was the star of the show on Friday night at the Melbourne Symphony Orchestra’s performance of Jean Sibelius’s Violin Concerto.
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The show is aiming for silliness, and its successful realisation here is certainly a nice change of pace from the worries of the modern world.
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Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.
Now playing Melbourne
| Timon of Athens |
| Fijian Flying Circus presented by Fiji Airways - Melbourne |
The show is aiming for silliness, and its successful realisation here is certainly a nice change of pace from the worries of the modern world.
Young efficiently managed various costume changes to transport us to different eras of the Bush legacy. The vocals are consistently of a high-quality, even through the demands of some very physical dancing to a backing track.