
Long before the drinking of coffee is substituted for the drinking of rum, it is clear that what starts as a formal, perhaps overly polite, meeting between four middle-upper class, well educated adults, is not going to end well.

Shattering the notion that puppet shows belong in the realm of children’s entertainment, Burkett’s productions are sophisticated explorations of the human condition.

It is 1946 and Colour Sergeant Atkins has been left in charge of the British colony of Batundi in Africa, a thankless assignment at a remote outpost in the dying days of the British Empire.

It’s pretty hard not to like Chicago the Musical. The music is incredibly memorable and the characters so deliciously bad.

More than foreseeing the future of ballet, Concord presents three eras within ballet’s development.

Matilda and Paterson are out of control. Issues and chores are pushed aside, left where they are to be dealt with another day.

Regular fans will know what to expect from a Tripod show - some new material, some old favourites, a few well-chosen cover songs and a healthy helping of unscripted audience interaction and witty on-stage bickering.