What's On

October,
2018
October 2018
Mon Tue Wed Thu Fri Sat Sun
1 Monday, 1 October 2018 2 Tuesday, 2 October 2018 3 Wednesday, 3 October 2018 4 Thursday, 4 October 2018 5 Friday, 5 October 2018 6 Saturday, 6 October 2018 7 Sunday, 7 October 2018
8 Monday, 8 October 2018 9 Tuesday, 9 October 2018 10 Wednesday, 10 October 2018 11 Thursday, 11 October 2018 12 Friday, 12 October 2018 13 Saturday, 13 October 2018 14 Sunday, 14 October 2018
15 Monday, 15 October 2018 16 Tuesday, 16 October 2018 17 Wednesday, 17 October 2018 18 Thursday, 18 October 2018 19 Friday, 19 October 2018 20 Saturday, 20 October 2018 21 Sunday, 21 October 2018
22 Monday, 22 October 2018 23 Tuesday, 23 October 2018 24 Wednesday, 24 October 2018 25 Thursday, 25 October 2018 26 Friday, 26 October 2018 27 Saturday, 27 October 2018 28 Sunday, 28 October 2018
29 Monday, 29 October 2018 30 Tuesday, 30 October 2018 31 Wednesday, 31 October 2018 1 2 3 4

Most read reviews

  • Hamlet | Sh!tfaced Shakespeare
    Hamlet | Sh!tfaced Shakespeare
    This is not your dear old Grandmother’s Hamlet, it is your drunk Uncle’s, who remembers every Monty Python episode by heart.
  • Dancing at Lughnasa | New Theatre
    Dancing at Lughnasa | New Theatre
    A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • The Glass Menagerie | Melbourne Theatre Company
    This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.