‘Schubert’s ‘Wintereisse’ intimidates me, there’s a fear that I may not be able to offer anything new,’ says British Baritone Roderick Williams.
They're back together: Anni and Maude Davey are about to return to the stage in their latest collaboration Retro Futurismus: New World.
Ella Caldwell, Artistic Director of Red Stich Actors' Theatre, is a woman of passion, determination and optimism.
On Friday 27 May at 6.30pm the Deakin Edge Theatre at Federation Square will host a unique performance by Melbourne Playback Theatre, SticksnStones. Jan Chandler had the pleasure of speaking with the Creative Director Lenka Vanderboom.
Catherine Della Bosca speaks to Wayne Blair ahead of the Melbourne season of Sugarland, playing at the Arts Centre Melbourne.
Glenn Wright, Mullum Music Festival director and Bello Winter Music Festival co-director, is ‘walking the talk’ and he took time from his busy schedule to talk to Australian Stage about this year’s Bello festival.
Opening this weekend, this free exhibition – Stage Presence: Design from the Australian Performing Arts Collection – is the third in a series presented by the Arts Centre Melbourne (ACM) to showcase Australia’s most extensive collection of stage and costume design from the late 19th century to the present.
Dear Prince, I want to start by saying thank you. Thank you for being the person you are, and thank you for giving us your music. I know it might be strange to start a review in this way, but there it is. We don’t often get to say thank-you to those people who inspire us and shape the way we think.
The Adelaide Festival is a cultural flagship of Australia. Modelled on the Edinburgh Festival, it has throughout its history staged works unfamiliar to Australian audiences.
Driftwood the Musical is a moving, enthralling story of a family surviving the ravages of war. It so timely, that it’s both poetical and painful.
This year's line-up, a cross section of some of the finest chamber ensembles in the country, would have graced any of Australia’s more well established festivals, and it is a massive endorsement of Festival Director Catherine Harker’s entrepreneurial skill that she was able to secure these wonderful musicians for a festival that too few people have yet heard of.
Set in Duluth Minnesota in 1934, The Girl from the North Country is a snapshot of troubled people enduring troubled times, gripped as they are by the Great Depression.
It's a brave actor that takes on a single hander. The challenge of remembering lines, and holding audience's attention alone on stage for an hour and a half is a gargantuan one. But the actor is not alone.
Charlotte and Scully delivered a thoughtful, funny, and moving new play that balanced toilet humour with hard-hitting, timely content.
The greatest remixed love story ever told and West End award-winning anthemic pop musical, & JULIET, will make its Australian premiere at the Regent Theatre from February 2023 in a new production exclusive to Melbourne.
In November 2021, Newcastle’s premier theatre production house, The Very Popular Theatre Company, launch its inaugural $10,000 playwright’s award, which is open to applicants across Australia.