From 24 March until 29 March, as part of the 2015 Tasmanian International Arts Festival, Hobart's Ascot Private Hotel will become the venue for the world premiere of Big hART Inc's latest theatrical event Blue Angel. Jan Chandler recently spoke with Creative Producer Cecily Hardy.
This year we have a 'new' International Arts Festival to add to our calendar, TheTasmanian International Arts Festival (TIAF) which opened on Friday 6 March with a free spectacular at the the Speigeltent in Hobart.
Neelanthi Vadivel is the Artistic Director travelling with TOTEM and Jan Chandler had the pleasure of talking with her about her career and the demands of her current role.
Mark Wilson is a Melbourne based writer, performer and director who studied at the Victorian College of the Arts and Monash University. In 2009 he was made an International Fellow of Shakespeare's Globe Theatre in London.
The Grammy, Tony and Olivier Award winning musical Once, based on a low budget Oscar Winning Irish film from 2006, has its Australian Premiere at the Princess Theatre in Melbourne on 4 October.
Bobby Fox and Michael Falzon are two rising mega stars in the Australian musical theatre scene. In a one-off special event, they have joined forces to perform the legendary Costello and Bacharach album, Painted From Memory.
Bruce Gladwin, Artistic Director of Australian regional theatre company Back to Back chats to Australian Stage's Dione Joseph as the company makes it's Edinburgh International Festival debut.
Almost Face To Face is the latest dramatic monologue from peripatetic award-winning writer/performer Stephen House. Australian Stage's Lee Bemrose caught up with him to find out what drives him, and what to expect from his latest work.
I have seen classic, contemporary and experimental takes on orchestra, as I am sure many others have too – but I doubt many have seen something quite as grandiose and extravagant as the wild ride that Synthony takes you on.
The pot of gold at the end of the rainbow has been a long time coming for the First Nations people of Australia.
The Bangalow Music Festival, jewel of the classical music calendar of the Northern Rivers of NSW, has just had its 18th incarnation.
Cleverly written and adapted from the Dahl poems, the show was slick and silly, funny and furiously paced throughout.
Australian Realness is a strange, illusory and disparate production with moments of brilliance and instances that baffle. It is surreal.
