With the premiere season of Monorotica coming up at the iconic Butterfly Club, Australian Stage had a bit of Q & A action with creative director, Steven Jinanai.
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Ben Foster has orchestrated and conducted Murray Gold's music for Doctor Who since 2005. Despite the twenty-something hour flight from London to Melbourne, he sounds remarkably chipper.
Matt O’Neill meets with Brisbane Powerhouse Artistic Director Kris Stewart to discuss the recent launch of Brisbane Powerhouse’s World Theatre Festival programme for 2014 – and ends up discussing so much more.
Since 1996 a band of consummate creatives have been melding and merging; changing and rearranging; pulling together a grab-bag of musical goodies that they can share with the world at large, morphing into the “complete package” that is the Blue Grassy Knoll.
The opening night of the Opera Australia’s first complete Ring Cycle, by Richard Wagner, will take place on Monday, in Melbourne’s State Theatre. It is an event of enormous significance for Western culture in Australia.
Director Michael Kantor is not shy about undertaking ambitious projects and the Malthouse’s production of The Shadow King is no different.
Todd McKenney is clocking up 30 years in showbiz and to celebrate, he has come up with a new way of doing ‘dinner and a show’.
Playwright Lally Katz is an original voice in Australian theatre, film and television. She speaks to Australian Stage's Paul Andrew about her one-woman show, Stories I Want To Tell You In Person, opening this week at Melbourne's Malthouse Theatre.
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Mahler Chamber Orchestra | 2019 Adelaide Festival
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Grounded | National Theatre of Parramatta
Captain Marvel is rocketing up the multiplex box-office at the moment, but, for my money, there’s a major marvel playing at Riverside Theatres at the moment that beats the kapow! out of that CGI blockbuster.
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Arthur Miller’s masterpiece, A View from the Bridge explodes on the stage of the Sumner Theatre in Southbank.
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Dance Nation | Red Stitch Actors Theatre
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