
Mark Kilmurry's production of Good People is slickly, skillfully staged, Tobhiyah Stone Feller's set design that morphs from roller door struggle street to gracious, genteel comfortability is ingenious.

The Peasant Prince is simple, imaginative, and constructive celebration of life, while the tawdry, paltry comic book extravaganza delights in destructiveness, depression and darkness.

Grease is the word… but probably is not the word that you’ve heard before. It does, however, most definitely have groove and meaning.

Phillip Kavanagh's Replay is a beguiling, intriguing and captivating version of the same events from different perspectives.

Mateship, masculinity and misogyny is the focus as four, near forty year old, phallus centric fellas flounder in the forged conceit of male entitlement.

King Charles III takes the deceptively simple concept of treating the current British Royal family as though Shakespearean characters embroiled in a crisis of succession akin to those of the power struggles in any one of the Bard’s many History plays.

The Australian Ballet's current offering of the eternally famous Swan Lake is an interesting production that ranges from the ordinary to the breathtakingly exquisite.