
As the lights go down and The Umbilical Brothers leap out onto the stage for Speedmouse their nonstop barrage on our funny bones reiterates: timing is everything.

Black Jesus is a powerful piece of theatre that explores post-independent Zimbabwe and the personal and political aftermath of a so called revolution.

Ben Elton has crafted a story of immense silliness and camp cliché that somehow works perfectly with the hard driving yet fey rock style of the inimitable Freddie Mercury. It’s not gonna change the world but it’s a hell of a fun night out.

Such is the magic of theatre that the Sydney Opera House is transmogrified into the White House for a nostalgic ninety minutes in the memory lane music and lyrics of Pennsylvania Avenue.

Tom Ballard’s show The World Keeps Happening is everything a thesaurus could pump out at you if you looked up the word funny.

The magic of the book has now been brought gloriously to the stage by Jonathan Rockefeller, who combines the caterpillar’s famous tale with 3 other beloved Carle stories, and brings them to life with the use of 75 puppets.

In choosing to stage Swallow, the company has not taken the easy option of delivering a crowd pleasing night at the theatre. It is a tough, terrifying, complex and conflicting play that demands attention. And this production is palpably arresting.