Baby Doll is an effective, if imperfect, re-adaptation of Tennessee Williams’ lesser-renowned material, via an intermediate film version.
Every performer is a star of their own making (tremendous effort by everyone) with classic facial expressions, voices lifted to give it their all, engaging the audience and drawing us in to their world.
There’s much ado about many things in Bell Shakespeare's current season of Much Ado About Nothing.
A spectacular show in a suitably epic venue, all the stops have been pulled out for the Sydney recreation of the Royal Edinburgh Military Tattoo.
The most ambitious one-hander you’re likely to see with one actor portraying over thirty characters, director Kate Champion has given this crowd-pleasing play something of a timely facelift.
Given what an immense and perpetual global franchise Cirque du Soleil has become, it must be quite a challenge to keep coming up with new themes while still attempting to conform to a vague unifying style that maintains the brand.
Nine months gestation and a baby girl is delivered. For four years, she is the light and love of her parents, and then she goes missing. For nine months.