Sydney Reviews
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- Emily Shaddick
If you went looking for a show that only glittered then you are out of luck because Briefs always cuts deeper than that.
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- Richard Cotter
The very title of the play is pronounced numerous times in its many meanings: A swelling of the heart – emotion, a swelling of the brain – neurological.
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- Richard Cotter
Tiny Beautiful Things helps remind us of the tiny, beautiful things that surround us, even when we are sometimes swamped by big, ugly concepts.
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- Richard Cotter
Fleetwood Mac meets Shakespeare in writer director David Allen’s Mad For You.
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- Richard Cotter
Semiotics, semantics, and solipsism sway and slither through the piece, so fear Sophia if you want a cosy cardigan and slippers night out at the theatre.
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- Richard Cotter
The play within the play cascades into a convulsive and inexhaustible tirade of production catastrophes, miscues, prop malfunctions, wardrobe clangers, and more.
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- Nicholas Routley
The opening night of Rinaldo showed unmistakeably that baroque opera, even so-called opera seria, can be fun.
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- Richard Cotter
The events depicted in The Ballad of Maria Marten have a harrowing resonance to contemporary society, particularly the sharp end of domestic violence that women face.
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Heartbreak Hotel invites its audience into an intimate portrait of the universal and isolating experience of heartbreak.
Noni Hazlehurst brings Rose and The Lark to colourful and compelling life in this one-woman show.