Sydney Reviews
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- Richard Cotter
Ninety years on this ninety minute play of stabbing knives and scolded wives, of runaway bride and wounded male pride has an all too familiar resonance.
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- Emily Shaddick
This multimedia immersive experience, with its constantly changing visuals and sounds aims to build connections and a narrative but misses the mark almost every time.
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- Richard Cotter
It’s hard not to gush like a punctured artery over the awesome artistry on show in Dracula, the latest, and arguably greatest, production in the Kip Williams’ cine-theatre universe.
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- Rebecca Whitton
The play’s title refers to the dangers of what can happen to democracy: first, you count heads, and if that doesn’t work, you must crack them.
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- Richard Cotter
Simon says, put two opposites together and see the comedy attraction.
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- Rebecca Whitton
Superbly performed by the ensemble, this collaboration is unlike any of Bangarra’s previous works and introduces Australian audiences to an entirely new physical vocabulary that is both powerful and lyrical.
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- Richard Cotter
Psychopompos. There’s a title to be reckoned with.
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A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
As befitting a work honouring the inventor of the printing press, Gutenberg! The Musical! is enamoured of words, drunk on words, intoxicated with text, mad for the metaphor, passionate for the pun.