Not Like Beckett is a one-man, avant guarde, absurd piece that draws all sorts of non-subtle connections to the wrong doings of each and every one of us.
Ross Mueller’sConstruction of the Human Heart is an intellectual, devastatingly powerful two hander about grief and loss. Love and pain. Right/write and wrong.
In The Good Thief, acclaimed Irish playwright Conor McPherson uses his country’s tradition of semi-sober storytelling to tell the tale of a crime gone wrong.
In this adaptation by Director Chris Kabay and Musical Director Simon Holt, the plot and songs have been cut and tightened creating a shorter, easily understood opera.
This is a hilarious, side splittingly funny production. I didn’t leave the theatre with any new insights into life, nor dramatic moments to ponder on, but I came out refreshed, happy, and with a sore stomach from laughing.
His Majesty’s Theatre was packed for the performance of one of Shakeapeare’s darkest tragedies, Macbeth, a psychological study in the devastating effect of a misplaced ambition.
While some of Shakespeare’s tragedies deal with politics, court matters or the lives of kings and queens, Othello is a story that operates on a very tangible level with the emotions of love, jealousy, prejudice and revenge.