
Inspired by random suggestions from the audience, Glenn Hall, creative director of Spontaneous Insanity, endeavoured to weave the stories together and for the most part, the cast cleverly picked up on his character development cues.


What you got from No Door on Her Mouth was impressions and images; of emotion, the effort we encounter in finding and listening to our inner voice, of receiving love and acceptance, even within ourselves.



Presented by Always Working Artists and Deckchair Theatre, this WA premier of Matt Cameron’s Ruby Moon is a thoughtful but ultimately underwhelming exploration of grief and suburban paranoia.
