Powell was an excellent MC, providing the audience with chatty anecdotes about the early days of Sun Records under Sam Phillips.
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Champagne, exquisite showgirls, a suave oh-so-French MC, simply extraordinary aerialists, gorgeous costumes, sensual dance moves, comedy, risqué banter, sequins, feathers, barely-there lingerie.
Damian Power had more than a few good comedic moments, however his super relaxed manner often came across as under rehearsed, even ill-prepared. It really surprises me to see an experienced comedian refer to notes.
Last year’s show was so hysterically funny and in a more intimate venue the following show had a lot to live up to.
Sarah Ruhl recreates a peculiar period in the early history of psychotherapy.
Elegantly clad in a black full length, cut-away shouldered number Cathrine Summers was accompanied by the excellent Alastair Peel on keyboards and the clever pianist Ben Matthews.
Omigod you guys – if this isn’t the best feel good musical of the year, I don’t know what is!
Sensational hardly begins to describe this talented trio who combine the smoothest of melded voices, killer solos and extraordinarily clever arrangements.
Sylvia Cornes certainly looked the part of Rickie Lee Jones with a sheer black mesh dress, a top...
This was a classic piano trio on display. They showcased great chemistry as they worked the room.
No one could accuse Gordon Southern of being a slick act.