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Ben wants to be a victor, but being a self centred dickhead does prove a problem. Narcissistic, neurotic Ben is the agonising protagonist of Jessie Eisenberg’s The Spoils.
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Pomona is a play about the commodification of the body, especially the bodies of women. More shockingly, it presents this anatomical monetising presided over and propagated by women.
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Polished song arrangements and well crafted stories filled with raw and disruptive content. A paradox.
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Laura Wade’s Olivier Award winning play is high on style but low on substance.
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If you enjoy more of an experience than a sit and watch, then Rust is right up your alley.
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David Suchet's charm, modesty and gentle charisma come together to generate an unexpectedly commanding stage presence, whether simply in the mode of a delightful raconteur or in his brief moments of full-on character performance.
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In Family Values, David Williamson softens us up with a string of rib tickling zingers, the dialogue dancing like a butterfly, before the zingers become stingers, a swarm of recriminations and rebukes, fanning out from the familial and into the wider world.
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Finely observed and rich with truth, it also has a score full of killer songs and knockout performances by its small but powerhouse cast.