Latest Reviews
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Intimate and interactive, Ash Grunwald showed us a small part of what he is made of, musically. Ash has written a book ‘Surf by Day, Jam by Night’ and has also, with his wife, created Earth Bottles, dealing with problems of single-use plastics, encompassing drink bottles, coffee cups and straws. So much talent wrapped up with so many guitars.
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The audience for any one night is divided into five groups of twelve people, each of which walks between the venues, so that there is only a Covid-safe number of people in any venue at any one time.
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Gaslight is an entertaining, non-convoluted, engaging and superbly written piece, so that it stands up well after 80 years, especially when its traditional strength is imaginatively blended with some non- traditional contemporary casting.
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The night progressed, Amy showcasing her many talents, singing and playing the violin, and then indulging us, inviting her partner to perform alongside for a few songs on the acoustic guitar.
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What a pleasure to be out and about again and especially in the cosy, relaxed atmosphere of The Ellington after such a long absence of live performance.
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In 2013 the Queensland Symphony Orchestra premiered the First Symphony by the well-known Australian composer and pianist Mark Isaacs. The symphony was entitled “First”, implying the intention of a second at some time. Last month he released his second symphony digitally, performed by the NotePerformer Virtual Orchestra, with Mark himself directing.
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Alice Topp’s Logos that stole the show, the romantic yet demonic work was the standout of the evening and the kind of ballet needed to shake up the industry.
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David Williamson has been writing for us and about us for half a century. Across theatre, film and television he has told our stories cleverly, humorously and often uncomfortably.