A lavish feast for the eyes, ears and most definitely the funnybone, the deceptively simple yet thoroughly rich The Game of Love and Chance comes highly recommended.
While this reworked classic isn't pretending to be something it's not, it's hard not to come to it expecting the precision and technical finesse for which the traditional version is so renowned.
Any performer has got to be happy when the patrons walk out of the theatre and through the city singing their songs. That’s exactly what I heard driving home.
Loosely telling the story of prince Pippin, the son of Charlemagne, and his somewhat picaresque journey through life, Stephen Schwartz’s 1972 Pippin is not your conventional musical.
It’s clear that these performers are creating something new and exciting, a phrase that is often used as a cliché but in this case is more than appropriate.
The major problem with Fleetwood Mick is that its central premise, Fleetie and Moriarty attempting to make light of news and current affairs, is grossly underdeveloped.