Stephen MacDonald’s play is comprised of predominantly, and richly, imagined details of a legendary meeting of minds and souls: those of English poets, Siegfried Sassoon & Wilfred Owen.
A play about life, love and politics, Hannie Rayson’s Life After George is a tale of the intertwined stories of some intriguing but ultimately flawed characters.
It’s the tail end of the roaring 20s; machines are coming of age, romance is dying (or is it?), but cigars are still hand-rolled with love and dedication in a small family factory in Tampa, Florida.
Not Nicole Kidman on anatomic steroids, but the love child of Ethel Merman and Ernest Borgnine, diva extraordinare Varla Jean Merman brassily boasts a treasure chest of cabaret mayhem.
The man who, rubber chicken on a pole, once took bemused Melburnians on an impromptu tour of unlikely places, leads his audience up the stairs at the Swiss Club singing Eidelweiss.
