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Old African rhythms were given new meaning in the space of twelve compositions. The crowd was totally into the music, dancing along and begging for encores at the end.
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The show is scripted to near perfection, free of any trite segues, and Fisher is disarmingly honest, acerbically witty, and blessed with impeccable comic timing.
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Imagine being able to sing really well, world class well. Now imagine performing your favourite Leonard Cohen song your way, in front of eight thousand or so people.
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Opening Night is a complex work that comments on the obsession with age and the desire for youth.
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While it indeed delivered the spectacle Aida is known to be, this production of Opera Queensland was not the years’ stand out.
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