Latest Reviews
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The Last Supper is very rude, daft and there should be much, much more of this sort of thing.
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University of Adelaide Theatre Guild’s The Pillowman is a thriller that confronts, chills and probes in a way that leaves questions – but none about its brilliance.
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Bomb the Base maybe deceptively titled (Conversations with Teddy may have been a better option) but this full length Fringe production offers audiences a brilliant work of writing and a solid performance.
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This play brings a vibrancy to themes that can be cold and stark, drawing humour and humanity into some otherwise dark places.
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Colloquially, a cut snake is the benchmark for madness. Are ya mad as one, or madder than? Cut Snake, the show, is definitely madder. It’s also brilliant.
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Taking the stage with an eye patch and peg leg, Tommy Bradson sings shanties of uncommon beauty about piratical topics – these mostly involving various deeds of debauchery.
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Interlocking rhythms and unconventional use of performance space raised audience expectations and indicated that this is an ensemble committed to breaking preconceptions, practices and perceptions of contemporary classical music.
