
Rachel Berger has written a beautiful homage to her parents and to a history that still needs to be remembered, as well as revealing her own heritage which is completely captivating.

The story is classic, the score epic, the choreography was spot on and the cast was made up of the brightest new stars of Melbourne theatre.


This is the second time Motherboard Productions have performed Jean Cocteau’s La Voix Humaine this year.

It would be hard to dream up two plays more different than Booze Furniture Sex and Nameless. Together, they make a truly bizarre double bill.

Ma Lu and Ming Ming are not star-crossed lovers as such, but rather are caught in a web of unrequited love. At first intriguing, this tale gradually descends into the dungeons of despair.