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Latest Reviews

Paul Capsis

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12 October 2012
Paul Capsis

Sweeping though a varied menu of styles and songs Capsis transported the audience to Motown, Blues Central and beyond.

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Who Are You | Deep Blue

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12 October 2012

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For decades, influential musicians have espoused threadbare rhetoric about eroding barriers between the audience and staged performers, composers and instrumentalists, music and dance, classical and popular music, but I've never seen an example that blitzes quite so many borders, often guarded by strict passport controls, in one show.

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Singing 5 Ways to Disappoint Your Vietnamese Mother | Diana Nguyen

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12 October 2012

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The beauty of Nguyen's fringe show is that it is intimate, personal and takes place in a Karoke bar on Little Bourke Street. This is theatre at its best - a family affair. Singing English songs in a Korean bar with a host telling you about her relationship with her mother is quintessentially Fringe theatre.

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After Life | Michel van der Aa

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12 October 2012
After Life | Michel van der Aa

The Melbourne International Arts Festival officially launched last night with the contemporary Dutch opera After Life, from composer Michel van der Aa.

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Morph | Sydney University Dramatic Society

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11 October 2012

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It's not the sort of play that slaps you across the face like some kind of epiphany. It's the sort you take away and sink your teeth into, like a late-night kebab. Like the kebab, you'll get your hands dirty. And you'll spend hours, if not days, digesting it.

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Legally Blonde: The Musical

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11 October 2012

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Legally Blonde is so full of joy it's hard to leave the theatre without a giant grin on your face.

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The Séance | No Show

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11 October 2012
The Séance | No Show
Sassy, smart, provocative theatre at it's finest, No Show's The Séance is the kind of exquisite, committed work the Melbourne Fringe Festival is all about.

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I Don't Believe In Outer Space | The Forsythe Company

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11 October 2012
I Don't Believe In Outer Space | The Forsythe Company

In the world of dance, the cutting edge is rarely sharper than in the hands of William Forsythe.

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  1. No Child... | Theatre Works and Melbourne Festival
  2. Never Did Me Any Harm | Force Majeure & STC
  3. Play Actually | Tim Monley & Katy Houska
  4. Blasted | SA State Theatre Company

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