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More Sex Please...We're Seniors

This dreary, plodding and so not funny piece that is being marketed as a musical comedy fails in pretty much every department.

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Savage In Limbo | Workhorse Theatre Company
Savage In Limbo isn't as well-known or as oft-performed as the Oscar-winner's other plays. Probably because it cuts a little deeper and is more emotionally challenging; the last applying for both actors and audiences.

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Prime: Orderly | Dean Walsh
Prime: Orderly is the latest work by dancer-choreographer, Dean Walsh, based on two years' research into marine environments, a luxury afforded by his tenure as Dance Fellow with the Australia Council.

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Double Bill: Shakespeare's Queens & The Madness of King Lear

From the electricity that is the Edinburgh Fringe Festival; two Australian productions were hand-picked to transfer their enthusiastically reviewed dramas to the theatres of the West End.

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A Funny Thing Happened on the Way to the Forum

If you were to throw any more heavy-weight theatre talent onto Her Majesty's stage at the moment it may well collapse.

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Something For Kate
It's been six years since their last album, 2006's "Desert Lights," and five years since they went on their last national tour, so the public has been waiting patiently (if not a little anxiously) for Something For Kate.

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In a Forest Dark and Deep | Winterfall Theatre Company

In a Forest Dark and Deep is a two-hander, telling the story of a brother and sister caught up in a terrible and complicated dynamic where they force each other to reveal cherished values and then betray them.

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The Stairs are Moving | Melbourne Writers Theatre

Triffett's characters are complex and believable, suffering from very human ambivalence. They struggle to survive in a  gothic surreal world fed by an undercurrent of magic realism, a world which ultimately collapses upon itself.

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  1. A Tribute of Sorts | Monsters Appear
  2. Tarantula | Tredwood Productions
  3. The Laramie Project | Mockingbird Theatre
  4. A Burlesque Halloween Spectacular | Theatre Burlesque

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