
The Secret River is certainly not an easy play to watch, but it’s certainly one that will make you contemplate this troubled chapter in our national history long after the curtain falls.

For jazz aficionados the First Lady of Song, Ella Fitzgerald will always be a strong favourite. And the opportunity to listen to some of her favourite tunes in the lush garden studio of the ACT company in Brighton promises to be a wonderful night.

This production of Cat on a Hot Tin Roof is frustratingly close to excellence. It is absolutely worth seeing and contains some moments of absolute brilliance, but as a whole, it just falls short.

Brutal. Much like its subject matter, Patrick Marber’s play Closer, is a turbulent spectacle of the utter mediocrity and predictability of humanity.

I would have enjoyed Cat Power more if I could have understood more than a single word and a phrase of her performance.

The PACT Centre For Emerging Artists amounts to a city-fringe warehouse where almost anything can and does happen.

A post-industrial landscape meets a little Brit kitsch in Bell Shakespeare’s latest work to grace the stage of Canberra’s Playhouse.