
For jazz aficionados the First Lady of Song, Ella Fitzgerald will always be a strong favourite. And the opportunity to listen to some of her favourite tunes in the lush garden studio of the ACT company in Brighton promises to be a wonderful night.

This production of Cat on a Hot Tin Roof is frustratingly close to excellence. It is absolutely worth seeing and contains some moments of absolute brilliance, but as a whole, it just falls short.

Brutal. Much like its subject matter, Patrick Marber’s play Closer, is a turbulent spectacle of the utter mediocrity and predictability of humanity.

I would have enjoyed Cat Power more if I could have understood more than a single word and a phrase of her performance.

The PACT Centre For Emerging Artists amounts to a city-fringe warehouse where almost anything can and does happen.

A post-industrial landscape meets a little Brit kitsch in Bell Shakespeare’s latest work to grace the stage of Canberra’s Playhouse.

Under the direction of David Myles, this controversial British play by Simon Stephen’s offers a window into the lives of eight locals in the week prior to the London 2005 bombings.