
We all know white people can't dance. But they seem to have at least as much fun doing just that, regardless. Tragic, but true. The older they get, the funnier it is.

Jon Robin Baitz’s play about the wealthy Wyeth family who once “had it all” and lived the great American dream of upper class social standing and good looks to boot, is a glaring look into the skeletons found in even the most socially elite of closets.

Having wowed Australia back in 2011 with sold out shows across the country, the faux fab four have returned to our shores with a new cast, an updated format and the same toe-tapping trip down memory (and Penny, for that matter) lane.

This year’s WOMADelaide festival kicked off in style with a strong first day. Approximately 400 artists have been engaged to perform during the four days of the festival. On show are some of the best musicians on the world music scene.

Knee Deep doesn't appear seamless, the performers are working hard and you appreciate their efforts, making Knee Deep, especially in close-up, all the more thrilling.

This is acting, singing and performance at its best with such clever writing, direction and major research into Ms Garland herself, I felt I had witnessed one small part of the life and last moments of Judy’s tragic life.

Dawson and McCarthy are witty at times and ragingly bitter and daring at others. It’s a play of extremes, an emotional roller coaster that demands a lot from its audience in terms of its complexity and intensity.