
Canadian born and Sydney based artist Talya Rubin has created a delightfully unnerving piece of theatre in Of the Causes of Wonderful Things.

Dean is master of the “shaggy dog” ramble and can change tack time and again before neatly wrapping up his original storyline, sometimes a full 10 minutes later.

Stephen Sondheim’s pulsing refrain symbolises the pulse of life that courses through Company, his musical homage to all the beating hearts in the heart of New York City.

As far as debuts go, this is a very, very good one. This is an intriguing and absorbing show, engaging with questions of love and domesticity in a sophisticated and thoughtful way.

This show has it all – singing, dancing, heroes, villains, children, dogs, colour, lights and spectacle, fun, laughter, illusion and most spectacularly, a flying car.

The new realisation of Henrik Ibsen’s work tastefully envelops the audience in a story of both tradition and relevance.

Barry Humphries’ Weimar Cabaret is a fascinating, entertaining, remarkable and unparalleled performance and exploration of music from the years of Germany’s Weimar Republic.