
Judith Thompson’s Palace of the End is a carefully crafted set of three monologues that revolve upon the trauma and tragedy of the Iraq War.

This is a very impressive production of Jesus Christ Superstar, not without fault, but well worth the effort to either re-visit or experience for the very first time.

Ellen Byron's semi-sequential companion pieces, played in reverse order, currently enjoying a season at Marrickville's Sidetrack Theatre, are probably just what the doctor ordered.

Rramp is an acutely off-beat show and curiously engaging, like a slow motion Dali style car-crash.

This play is largely nostalgic, as O’Mahony refers to childhood games, school days, and notable moments of pop culture from the last couple of decades.

Solomon and Marion may not have the same edge in the comfort of the Arts Centre as it would in the turmoil of its native land, but the emotional impact of this wonderful piece of theatre is undiminished.

Where Le Corsaire’s appeal was somewhat limited to committed ballet enthusiasts, The Bright Stream is fun and funny enough to appeal to even the most skeptical of audiences.