
The Comedy of Errors is tremendous fun. The entire cast is terrific in one of Shakespeare's earliest, shortest and most farcical plays.

The whole show is a completely engaging marriage of graceful, gangly physical humour and moving honesty.

While the quality of the singing is inconsistent, it hardly matters in what soon becomes a bit of a farce; sometimes the choice of song in itself wins a laugh.

A remarkable performer himself, Griffiths not only has a fullsome voice and total mastery of the keyboard, but he plays with heart-rending passion.

From the first flush of teenage romance to the heartbreaking despair when it all goes pear shaped, music plays a crucial role.

For almost two hours, the audience at Hamer Hall were in the palm of the hand of Broadway's bare-footed Diva, Idina Menzel.

One of those rare experiences which will be unique to every watching individual but which has the power to bond each person together.