
Thanks to fine performances from the entire cast, St. Jude’s version of Soulmates largely strikes the deceptively difficult balance between satire, spiteful revenge and comedy.

Next to Normal was a triumph both in production and performance. May they be rewarded with full houses and standing ovations.

With a killer script from the master of the snappy comeback, Larry Gelbart, the action rattles along at such as pace that the musical interludes often provide a much-needed reprise for your brain to catch up.

Buyer and Cellar owes its success to the multi-talented, multi-character actor, Ash Flanders, who turns in a beautifully crafted performance – charming, impish, convincing and nuanced for all five characters that he inhabits.

Deliver they did, with a rousing performance that confirmed Florence Welch’s status as one of the most dynamic live entertainers touring today.

Under the direction of Megan Spindle, the stories engage us with the feminine as we might never have seen it before and the vagina; beautiful, violent, sexy, awkward and gorgeous.

Hale’s cast is, just simply, wonderful. Each performer is uniquely interesting, but they also blend harmoniously, both physically and emotionally.