Latest Reviews
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Edmund: The Beginning is a one-man investigation of the emotional range of performance in the traditional vein, an exploration of fascination and despair at human limitations.
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The audience goes wild at the onset, clearly knowing they are in for a wonderful ride as Jean Valjean bursts onto the stage with all the fight and fervor, fear and feistiness that only a prisoner, recently set ‘free’ after stealing bread to feed someone else, can muster.
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Overall I wasn’t quite sure what I was meant to be seeing. Was it a vehicle to entertain family and friends of the choir? A preview to gain support for a full staging? A vehicle to showcase some fine voices from a multiplicity of genres?
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Briefs the show, turns out to be an irreverent look at the world of burlesque or Boy-lesque as some of the promos describe the show.
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Thanks to fine performances from the entire cast, St. Jude’s version of Soulmates largely strikes the deceptively difficult balance between satire, spiteful revenge and comedy.
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Next to Normal was a triumph both in production and performance. May they be rewarded with full houses and standing ovations.
