Melbourne Reviews
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- Liza Dezfouli
Messenger can blast and soar with the best of them, but she also compels when she purrs.
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- Doug Knight
Important, clever, significant, different, troubling, collective, inspiring challenging, connecting, questioning and very very funny.
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- Danielle Marrs
Heather Bloom stars in her one-woman-show Anti-Heroine, where casting has begun for an undisclosed live action fairy-tale remake, and there is fierce competition for the role of the villain.
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- Doug Knight
In 1980, a young Cameron Mackintosh created a revue of Lehrer’s work and Tomfoolery has enjoyed more than 200 productions since.
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- Doug Knight
Summoning tension, gasps and applause this perilous playground rocks with elegant harmonious symmetry alongside a toybox of other acrobatic devices only the brave and trained would dare to mess with.
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- Nikki Spunde
It starts in a sleazy hotel room. An older man enters with a much younger woman. From the moment they walk in, it’s uncomfortable.
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- Doug Knight
Intimate, heart breaking and warm, this journey toward the end of a relationship simultaneously grants a glimpse backwards into the shaping of a life lived together.
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- Doug Knight
Melbourne Theatre Company is doing what we absolutely expect – great plays in solid hands showcasing the finest we have on theatrical offer.
Most read Melbourne reviews
West Gate | Melbourne Theatre Company
At 11.50am on October 15 1970, 35 men fell to their death as their place of work gave way from under them.
Heathers The Musical
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.The Glass Menagerie | Melbourne Theatre Company
This Glass Menagerie is top shelf, and while blessed with an extraordinary cast and the highest of production values, it will not meet with everyone’s measure of how this play should be staged.
Swan | Elf Lyons
Quirks of the source – and of the environment that sustains it – are cleanly exposed in a high-energy hour of physical comedy, delivered with moments of avian grace.
The Brut Truth: A Champagne Comedy Tasting | Prétentieux vin Branleur
It feels that the show hasn’t quite worked out what point it wants to make.
Suzie Miller’s award-winning one-woman play, Prima Facie returns to Melbourne for a limited season.
The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.